(guest blog by RFC Communications Director, Amber Black)
Two topics consistently engage our supporters more than any others: the case of Julius and Ethel Rosenberg and the song “Strange Fruit.” It’s been 65 years since the parents of our founder were executed, and 80 years since Abel Meeropol (the man who along with his wife Anne, adopted the Rosenbergs’ orphaned sons) wrote the anti-lynching anthem first as a poem and then set it to music.
But all these decades later, both the case and the song pop up virtually every day in a huge array of contexts including hard news and popular culture. So we’ve begun to spotlight them in a “Strange Fruit” and Rosenberg “Mention of the Day” on our social media.
(Guest post by Rosenberg Fund for Children founder, Robert Meeropol. Hear more from Robert about the iconic song, Strange Fruit, see its relevance to current Movement for Black Lives, and watch a powerful performance of it by artist Pamela Means, in the video below.)
Last week I attended the opening of the new exhibit of my grandparents’ prison correspondence at Boston University’s Howard Gotlieb Archival Research Center. The event offered attendees a preview of the exhibit, which includes hundreds of letters Ethel and Julius wrote to each other, their attorney, my father and uncle, and other family members from their arrests in 1950 until just before their executions in June 1953.
The United States in the only nation in the Anglo-Saxon legal tradition that retains a grand jury system. A grand jury is the prosecutor’s tool for investigating what the government deems to be possible criminal activity. Although it has the power to bring criminal indictments as well as to compel people to testify about their activities and those of others in return for a grant of immunity from prosecution, witnesses are not permitted to have their attorneys accompany them into the grand jury room. A witness who flatly refuses to cooperate or to testify after being granted immunity can