Last week Angels in America closed after a triumphant, award-winning revival on Broadway, more than a quarter century after it first took the theater world by storm. During Angels’ first Broadway run, I was in college and deliberately avoided the press or any discussion about the play. I was writing my thesis, which explored the frames of meaning—historical, legal, cultural, etc.—in my grandparents’ case with a focus on how they impacted the representation and understanding of my grandmother.
My wife’s fourth novel, Her Sister’s Tattoo, was published in April. It’s the story of Esther and Rosa, whose arrests during an anti-Vietnam War protest tear the sisters apart. It’s fiction, but it hits close to home.